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Why? By default, when clicking your mouse in the FCPX interface (outside of the Color Finale Pro floating window) the Tangent Mapper auto-switches to ‘Final Cut Pro’ with ‘auto-select’ enabled-but this doesn’t work in reverse. That’s the one we want-but a word of caution… Back in the Tangent Mapper, a new ‘Application’ has appeared in our list-that’s what we’re looking for! Caution: I suggest you pay attention the ‘Auto-select’ optionīeware the ‘Auto-select Application’ option in the Tangent MapperĪ word of caution here: I suggest you uncheck the option ‘Auto-select Application’ in the Mapper. Switching back to the mapper-with the Color Finale Pro floating window open-a new mode has suddenly appeared called ‘Color Finale for FCPX’. Color Finale Pro launches into the same floating window interface as Color Finale-but you’ll notice a few new buttons After applying Color Finale to a clip, click the ‘Open Controls’ button from the effects stack. If you’ve previously used Color Finale then you recognize its floating window interface.

Click ‘Open Controls’ in the filters interface.

Apply the Color Finale Pro plugin on a clip.

In order to use Color Finale Pro with the Mapper we’ve got some setup work to do: Inside the Tangent Mapper there’s no sign of Color Finale Pro. The default FCPX mode is not the one we’re interested in (like Patrick, I find it buggy and hard to use with the Ripple). The first time you launch the mapper there’s no sign of Color Finale Pro.

How do you connect the Tangent Mapper to Color Finale Pro? See it in action in this Insight on using the Tangent Ripple with Premiere Pro The Mapper has been updated and is now offering a HUD that is optimized for users of the entry-level Tangent Ripple colorist control surface.

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Once Color Finale Pro has been installed, download the latest version of Tangent Mapper. Color Finale Pro is installed as a new instance of the plugin What happens to the regular version of Color Finale after installing Pro?ĭownloading and installing Color Finale Pro adds a new instance of the Color Finale Pro plugin in your FCPX plugins toolset next to the regular Color Finale (this insures compatibility with projects where you used the original Color Finale filter). While you gain the familiarity of the 3-Way Color Wheels, you lose the speed by having to color grade in a filter using a mouse.Ĭolor Finale Pro overcomes this objection by adding support to all Tangent Devices – the Element, Wave and Ripple control surfaces.įor more on using a colorist control surface with color correction plug-ins: Watch this Video Insight on using the Tangent Element control surface in Premiere Pro’s Lumetri effect. Making multiple simultaneous exposure and color moves is much quicker than making moves one slider at a time with the mouse. Typically, one of the downsides of using a 3rd party color filter is they don’t communicate with external control surfaces. This Insight covers one particular new feature in Color Finale Pro I find exciting… Tangent Devices support This ‘Pro’ version adds many features on top of the Color Finale plug-in that Patrick originally reviewed. If you prefer not to learn FCPX’s one-off user interface for color correction then you definitely take a look at this new plug-in from Color Grading Central, Color Finale Pro. Say ‘hello’ to the new Color Finale Pro plug-in (and control surface support) But many editors and colorists accustomed to color wheels have really struggled trying to master it (if that’s you, try starting with this Insight on FCPX’s Exposure slider). Some people have been fast to adapt to the FCPX Colorboard. This plugin brings back strong grading features into FCPX, in particular curves and color wheels. I won’t reveal here which FCPX plugin won last year’s challenge but amongst the plugins put to the test was Color Finale, from Color Grading Central. The goal is to find a ‘winner’ plugin, the one you would certainly pick if you could only use one along with your editing program. If you’ve been following Patrick’s ‘Desert Island Challenge’, you know he is reviewing different plugins aimed at increasing the grading experience in NLEs (first FCPX, and now Premiere Pro).

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How to set up the new Color Finale Pro with the Tangent Ripple?

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Feel free to welcome Christophe in the Comments! Now he joins them in the Library with his first Insight: A look at the new Color Finale Pro plug-in for FCPX. Since 2014 Christophe has been the Mixing Light ‘Member-At-Large’, keeping Dan, Robbie and Pat on the straight-and-narrow. Tutorials / Color Finale Pro First Look Welcome Christophe Delaunay as a new contributor to the Insights library.

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